This paper draws on psychoanalytic theory, specifically the works of Sigmund Freud and Jacques Lacan, to analyze the themes of trauma, identity, and reality in Shutter Island Hindi. The concept of the "mirror stage" (Lacan, 1949) is particularly relevant, as it highlights the fragility of identity and the role of language in shaping our understanding of self. Additionally, the idea of "trauma" as a disruption to the psyche (Freud, 1920) provides a framework for examining the characters' experiences and their impact on the narrative.
Scorsese, M. (Director). (2010). Shutter Island [Motion picture]. United States: Paramount Pictures. Index Of Shutter Island Hindi
Freud, S. (1920). Beyond the Pleasure Principle. International Journal of Psycho-Analysis, 1(2), 131-154. This paper draws on psychoanalytic theory, specifically the