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Crash (1996) is a Canadian–British film directed by David Cronenberg, adapted from J. G. Ballard’s controversial 1973 novel of the same name. It explores a dark, transgressive theme: a subculture of people who become sexually aroused by car crashes and the eroticization of technology, injury and voyeurism. The film mixes stark, clinical visuals with a deliberately detached tone to examine trauma, media, and desire; it provoked strong reactions at its Cannes debut and has remained polarizing and widely discussed.