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To appease the Yami Ningyou, Aiko recreated Jun’s final sketch in the courtyard on the anniversary of the spring, using cherry blossoms as pigment. The mirror cracked, and a dark shape lunged—but then, soft light emanated from Jun’s spirit. The shadow dissolved. The chill vanished.

Aiko smiled, her sketchpad filled with lilies now hanging on the wall. Somewhere in the wind, a laugh like wind chimes whispered.

Mirrors. Aiko glanced at the ornate full-length mirror in the room. Its frame was etched with lilies—a symbol of lost innocence. That night, she sketched in her notebook by candlelight, a habit from her art school days. As her charcoal brushed the paper, the room grew icy. The mirror shimmered.

Aiko gasped. The diary’s pages fluttered to life, revealing a sketch Jun had drawn: the same lilies, and a shadowed figure with clawed hands. Jun had been a gifted artist, but her obsession with a local legend—the "Yami Ningyou," or Shadow Mermaid—had driven her to uncover its truth. The Yami Ningyou, they said, lived in the hidden corners of old homes, feeding on loneliness. Jun had been its first human offering.

The apartment was cozy, with a small balcony overlooking a mossy courtyard. The living room and kitchen were sunlit, but the bedroom, a narrow room at the back, carried a chill. Inside a dusty drawer of the kotatsu (heating table), Aiko discovered a faded diary. Its pages belonged to a girl named Jun Kiriya (JK), a high school student who’d lived there 20 years prior. Her entries spilled out a tragic tale: she had been documenting strange shadows in the apartment, and her final entry read, “The mirror sees them. They came for me. I’m not alone, but they can’t see that, can they?”

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